Accessibility
· 13 checks — Landmarks, headings, alt text, forms, and link quality rolled into one auditable list.FHeading HierarchyAction122 headings, 14 skip(s)FIX
- H2 Latest
- H4 The Photography Show fair’s 45th edition explores medium’s full history from its origins to AI skipped
- H4 Claude Lalanne’s set of bronze mirrors shatters artist's auction record at Sotheby's
- H4 Antony Gormley sculpture quietly removed and sold off by UK council
- H4 Sustainability charity Gallery Climate Coalition launches new consultancy to support climate action
- H4 Mass shooting at Mexico's Teotihuacan archaeological site leaves one dead, 13 injured
- H4 Caravaggio and Rubens works destroyed by fire in Second World War are brought back to (digital) life
- H4 US National Gallery of Art gifted more than 1,200 Mitch Epstein photographs
- H4 Lack of accountability after crush of crowds at Haiti’s Citadelle Laferrière kills 25
- H4 Gulf art market feels the force of Middle East conflict
- H2 Los Angeles County Museum of Art’s David Geffen Galleries
- H4 Sea change: inside LACMA’s new curatorial strategy skipped
- H4 A teaspoon at a time: how LACMA built its collection
- H4 Los Angeles County Museum of Art’s new David Geffen Galleries reframe 6,000 years of history
- H4 ‘I’m interested in breaking binaries, barriers and boundaries’: Sarah Rosalena on her new LACMA commission
- H4 From the World Cup and the Olympics to two new museums: upcoming cultural attractions in Los Angeles
- H2 Art market
- H4 Gulf art market feels the force of Middle East conflict skipped
- H4 US-Israel war on Iran disrupts art transport routes as prices surge
- H4 Dallas Art Fair brings Texas's relationship-driven collecting community into focus
- H4 Art Dubai announces updated gallery list for postponed 2026 edition
- H4 Marc Restellini’s ‘atom bomb’ of a Modigliani catalogue raisonné is finally published
- H4 Claude Lalanne’s set of bronze mirrors shatters artist's auction record at Sotheby's
- H4 The Photography Show fair’s 45th edition explores medium’s full history from its origins to AI
- H4 Chicago’s Neighbors and Barely fairs show the strengths of smaller, alternative formats
- H4 SP-Arte underscores Latin America’s resilient rise amid global market recalibration
- H2 Museums & Heritage
- H4 US National Gallery of Art gifted more than 1,200 Mitch Epstein photographs skipped
- H4 Lack of accountability after crush of crowds at Haiti’s Citadelle Laferrière kills 25
- H4 Caravaggio and Rubens works destroyed by fire in Second World War are brought back to (digital) life
- H4 Drum and trumpet with human skulls attached complicate plan for restitution from Los Angeles to Ghana
- H4 Diego Rivera’s grandson donates more than 150,000 objects to Mexico City’s Museo Anahuacalli
- H4 Mass shooting at Mexico's Teotihuacan archaeological site leaves one dead, 13 injured
- H4 A teaspoon at a time: how LACMA built its collection
- H4 Recently restored castle in Norwich among five institutions shortlisted for UK's top museum prize
- H4 Restored Victorian greenhouse links Brooklyn's Green-Wood Cemetery to its living neighbours
- H2 Exhibitions
- H4 British Art Show—exhibiting UK's 'most exciting' art in past five years—announces line up for tenth edition skipped
- H4 The Big Review: Rothko in Florence ★★★★★
- H4 Toronto Biennial takes waterways as inspiration for its fourth edition
- H4 FKA Twigs and Brian Eno among artists included in the Vatican's sound-based 2026 Venice Biennale pavilion
- H4 Defiant women and daring paintings: Emin, Webster and Wylie create a buzz in the UK's exhibition calendar
- H4 Berlin exhibition focuses in on women photographers of the Bauhaus
- H4 Readymades, replicas, reiterations: MoMA show explores Marcel Duchamp the inventor
- H4 Philadelphia art museums celebrate America's 250th anniversary with blockbuster two-venue show
- H4 George Costakis, collector and saviour of Soviet avant-garde art, celebrated with Athens exhibition
- H2 The Art of Luxury
- H4 What is a botanical curator? Rahel Kesselring takes on inaugural role at Fondation Beyeler skipped
- H4 How Wayne McGregor’s epic ballets draw on help from his artistic friends
- H4 V&A exhibition honours designer Elsa Schiaparelli's unique synthesis of fine art and fashion
- H4 ‘It was my job to create the view’: US artist Liza Lou on making colourful works in her windowless warehouse
- H4 France's Château La Coste hosts four decades of work by designer Marc Newson
- H4 Antwerp exhibition celebrates its homegrown fashion designers, the influential Antwerp Six
- H4 Fashion vintage: how two historic Bordeaux vineyards have been restored to former glory under Chanel's ownership
- H4 Caroline Roux appointed as editor of The Art Newspaper’s Art of Luxury magazine
- H4 Why the champagne house Ruinart believes artists are ‘the best conveyors of what we believe in'
- H2 Visitor Figures 2025
- H4 Exclusive | The world's 100 most visited art museums in 2025: new venues a big hit with visitors skipped
- H4 Irreconcilable differences: Canadian cultural tourism to the US experiences a steep decline
- H4 National Museum of Korea Seoul sees a surge in visitor numbers
- H4 How museum funding in Denmark has become reliant on visitor numbers
- H2 The Week in Art
- H4 Museum openings: V&A East and Los Angeles County Museum of Art. Plus, William Blake in Dublin—podcast skipped
- H4 Marcel Duchamp at MoMA, Dorothea Tanning book, Leonora Carrington at the Freud Museum, London—podcast
- H4 Matisse’s explosive finale and a new chapter for Hong Kong? Plus, Schiaparelli and Dalí—podcast
- H4 New Museum extension opens, NextGen collectors, a Wardian Case in Oxford – podcast
- H4 Art communities and heritage in Iran, moderate recovery in the art market, Sydney Biennale—podcast
- H4 Venice Biennale details revealed, Beatriz González and Tracey Emin in London—podcast
- H2 A brush with... podcast
- H4 A brush with... Sanya Kantarovsky—podcast skipped
- H4 A Brush With... Hurvin Anderson—podcast
- H4 A Brush With... Lorna Simpson—podcast
- H4 A brush with… Danh Vo—podcast
- H4 A Brush With... Veronica Ryan—podcast
- H4 A brush with… Catherine Opie—podcast
- H2 Opinion
- H4 Comment | Catherine Opie shows us that in dark times, looking for joy can be radical skipped
- H4 Comment | A generational moment for Nazi-looted art claims in the US
- H4 Comment | All hail the rise of the art internship
- H4 Comment | Climate change is forcing tough choices—how much heritage can we save before it is too late?
- H4 Comment | Art is more than its original context
- H4 'What does the second F in Tefaf truly stand for?'
- H4 Are we seeing the demise of statement stands at art fairs?
- H4 Comment | Time for a rethink: women artists were never meant to merely be canon fodder
- H4 Museum wall texts are an art in their own right—but will they survive the digital age?
- H2 Obituaries
- H4 Obituary | Umberto Allemandi, visionary publisher who founded 'Il Giornale dell’Arte', has died aged 88 skipped
- H4 Pedro Friedeberg, key figure in Mexican art renowned for hand-shaped chair, has died at age 90
- H4 Liliana Angulo Cortés, director of Bogotá’s Museo Nacional de Colombia, has died, aged 51
- H4 Renowned gallerist Marian Goodman has died, aged 97
- H4 Remembering Gathie Falk, Canadian artist whose singular practice sparked comparisons to Surrealism and Pop art
- H4 Dóra Maurer, ‘towering figure’ of the Hungarian art scene, has died aged 88
- H4 Henrike Naumann—selected for this year's Germany pavilion at the Venice Biennale—has died
- H4 Beatriz González, indefatigable force in Colombian art, has died, aged 93
- H4 In memoriam: remembering art world figures who died in 2025
- H2 Books
- H4 New biography of Chaïm Soutine pieces together illusive artist's life and works skipped
- H4 New catalogues reveal Royal Collection's vast sculpture holdings—and Queen Victoria's acquisition spree
- H4 Pressing issues: the vital role of printmaking in the history of art
- H4 An expert's guide to Alexander Calder: six must-read books on the US sculptor
- H4 April Book Bag: from a Matthew Wong catalogue to a history of dogs in art
- H4 The story of London's Great Exhibition, as seen through the eyes of artists
- H4 A book exploring the evolution of J.M.W. Turner’s positions on slavery
- H4 Textiles weave tales of Palestine’s rich but troubled history
- H4 New book shows why physical maps have an important role to play in our digital world
- H2 Adventures with Van Gogh
- H4 Zurich’s controversial Bührle Collection is rehung, including five paintings by Van Gogh—plus one forgery skipped
- H4 A Dutch museum has just put its fake Van Gogh on show
- H4 Van Gogh goes to China, with a more affordable early painting
- H4 Van Gogh visited Georges Seurat's studio the day he left for Provence
- H4 Epstein files reveal Leon Black as a key collector of Van Gogh works
- H4 Van Gogh and café culture: 'The absinthes and brandies would follow each other in quick succession'
- H2 Diary
- H4 Stealing the show: Mona Lisa heist inspires Andrew Lloyd Webber musical skipped
- H4 Damien Hirst offers his hot take on art dealers
- H4 Innocent mistake? Italy's prime minister appears as a cherub in Rome church
- H4 Can you feel the love tonight? Elton John's cosy family portrait captured by Catherine Opie
- H4 ‘Haters will say this urn is mid’: US National Gallery of Art curator is Insta hit with Gen Z
- H4 So you think you can sell art? Reality TV show hunts for next Larry, Jay or Peggy
- H4 Frida Fever rises again: Netflix planning Kahlo and Diego Rivera drama
- H4 Towering cost: Tracey Emin hit with £160,000 bill to fix Margate flats
- H4 Frieze Los Angeles Diary: hockey hotties, roaming Rami and Simon sells
Every page should have one H1 that describes the page content.
No H1 means screen-reader users can't identify the page's primary topic, and Google's content-extraction degrades.
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The H1 is the document title for assistive tech and a strong signal to search engines about page topic. Pages without one force screen readers to fall back to the <title> attribute or page chrome. Add a single H1 that names the page's primary subject.
Source: WCAG 2.4.6 / Google Search Central
Skipping heading levels breaks the document outline. Screen readers may interpret missing levels as structural errors.
Skipping heading levels breaks the document outline — screen-reader users lose track of section nesting.
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Screen reader users navigate by jumping between headings (H1 → H2 → H3). Skipping (H1 → H3) breaks the sense of hierarchy. Use sequential levels even if you don't like the default styling — restyle with CSS instead. WCAG 1.3.1 (Info and Relationships) treats this as an A failure.
Source: WCAG 2.1 SC 1.3.1 / W3C WAI
Skipping heading levels breaks the document outline. Screen readers may interpret missing levels as structural errors.
Skipping heading levels breaks the document outline — screen-reader users lose track of section nesting.
Learn more ▾ ▴
Screen reader users navigate by jumping between headings (H1 → H2 → H3). Skipping (H1 → H3) breaks the sense of hierarchy. Use sequential levels even if you don't like the default styling — restyle with CSS instead. WCAG 1.3.1 (Info and Relationships) treats this as an A failure.
Source: WCAG 2.1 SC 1.3.1 / W3C WAI
Skipping heading levels breaks the document outline. Screen readers may interpret missing levels as structural errors.
Skipping heading levels breaks the document outline — screen-reader users lose track of section nesting.
Learn more ▾ ▴
Screen reader users navigate by jumping between headings (H1 → H2 → H3). Skipping (H1 → H3) breaks the sense of hierarchy. Use sequential levels even if you don't like the default styling — restyle with CSS instead. WCAG 1.3.1 (Info and Relationships) treats this as an A failure.
Source: WCAG 2.1 SC 1.3.1 / W3C WAI
Skipping heading levels breaks the document outline. Screen readers may interpret missing levels as structural errors.
Skipping heading levels breaks the document outline — screen-reader users lose track of section nesting.
Learn more ▾ ▴
Screen reader users navigate by jumping between headings (H1 → H2 → H3). Skipping (H1 → H3) breaks the sense of hierarchy. Use sequential levels even if you don't like the default styling — restyle with CSS instead. WCAG 1.3.1 (Info and Relationships) treats this as an A failure.
Source: WCAG 2.1 SC 1.3.1 / W3C WAI
Skipping heading levels breaks the document outline. Screen readers may interpret missing levels as structural errors.
Skipping heading levels breaks the document outline — screen-reader users lose track of section nesting.
Learn more ▾ ▴
Screen reader users navigate by jumping between headings (H1 → H2 → H3). Skipping (H1 → H3) breaks the sense of hierarchy. Use sequential levels even if you don't like the default styling — restyle with CSS instead. WCAG 1.3.1 (Info and Relationships) treats this as an A failure.
Source: WCAG 2.1 SC 1.3.1 / W3C WAI
Skipping heading levels breaks the document outline. Screen readers may interpret missing levels as structural errors.
Skipping heading levels breaks the document outline — screen-reader users lose track of section nesting.
Learn more ▾ ▴
Screen reader users navigate by jumping between headings (H1 → H2 → H3). Skipping (H1 → H3) breaks the sense of hierarchy. Use sequential levels even if you don't like the default styling — restyle with CSS instead. WCAG 1.3.1 (Info and Relationships) treats this as an A failure.
Source: WCAG 2.1 SC 1.3.1 / W3C WAI
Skipping heading levels breaks the document outline. Screen readers may interpret missing levels as structural errors.
Skipping heading levels breaks the document outline — screen-reader users lose track of section nesting.
Learn more ▾ ▴
Screen reader users navigate by jumping between headings (H1 → H2 → H3). Skipping (H1 → H3) breaks the sense of hierarchy. Use sequential levels even if you don't like the default styling — restyle with CSS instead. WCAG 1.3.1 (Info and Relationships) treats this as an A failure.
Source: WCAG 2.1 SC 1.3.1 / W3C WAI
Skipping heading levels breaks the document outline. Screen readers may interpret missing levels as structural errors.
Skipping heading levels breaks the document outline — screen-reader users lose track of section nesting.
Learn more ▾ ▴
Screen reader users navigate by jumping between headings (H1 → H2 → H3). Skipping (H1 → H3) breaks the sense of hierarchy. Use sequential levels even if you don't like the default styling — restyle with CSS instead. WCAG 1.3.1 (Info and Relationships) treats this as an A failure.
Source: WCAG 2.1 SC 1.3.1 / W3C WAI
Skipping heading levels breaks the document outline. Screen readers may interpret missing levels as structural errors.
Skipping heading levels breaks the document outline — screen-reader users lose track of section nesting.
Learn more ▾ ▴
Screen reader users navigate by jumping between headings (H1 → H2 → H3). Skipping (H1 → H3) breaks the sense of hierarchy. Use sequential levels even if you don't like the default styling — restyle with CSS instead. WCAG 1.3.1 (Info and Relationships) treats this as an A failure.
Source: WCAG 2.1 SC 1.3.1 / W3C WAI
Skipping heading levels breaks the document outline. Screen readers may interpret missing levels as structural errors.
Skipping heading levels breaks the document outline — screen-reader users lose track of section nesting.
Learn more ▾ ▴
Screen reader users navigate by jumping between headings (H1 → H2 → H3). Skipping (H1 → H3) breaks the sense of hierarchy. Use sequential levels even if you don't like the default styling — restyle with CSS instead. WCAG 1.3.1 (Info and Relationships) treats this as an A failure.
Source: WCAG 2.1 SC 1.3.1 / W3C WAI
Skipping heading levels breaks the document outline. Screen readers may interpret missing levels as structural errors.
Skipping heading levels breaks the document outline — screen-reader users lose track of section nesting.
Learn more ▾ ▴
Screen reader users navigate by jumping between headings (H1 → H2 → H3). Skipping (H1 → H3) breaks the sense of hierarchy. Use sequential levels even if you don't like the default styling — restyle with CSS instead. WCAG 1.3.1 (Info and Relationships) treats this as an A failure.
Source: WCAG 2.1 SC 1.3.1 / W3C WAI
Skipping heading levels breaks the document outline. Screen readers may interpret missing levels as structural errors.
Skipping heading levels breaks the document outline — screen-reader users lose track of section nesting.
Learn more ▾ ▴
Screen reader users navigate by jumping between headings (H1 → H2 → H3). Skipping (H1 → H3) breaks the sense of hierarchy. Use sequential levels even if you don't like the default styling — restyle with CSS instead. WCAG 1.3.1 (Info and Relationships) treats this as an A failure.
Source: WCAG 2.1 SC 1.3.1 / W3C WAI
Skipping heading levels breaks the document outline. Screen readers may interpret missing levels as structural errors.
Skipping heading levels breaks the document outline — screen-reader users lose track of section nesting.
Learn more ▾ ▴
Screen reader users navigate by jumping between headings (H1 → H2 → H3). Skipping (H1 → H3) breaks the sense of hierarchy. Use sequential levels even if you don't like the default styling — restyle with CSS instead. WCAG 1.3.1 (Info and Relationships) treats this as an A failure.
Source: WCAG 2.1 SC 1.3.1 / W3C WAI
Skipping heading levels breaks the document outline. Screen readers may interpret missing levels as structural errors.
Skipping heading levels breaks the document outline — screen-reader users lose track of section nesting.
Learn more ▾ ▴
Screen reader users navigate by jumping between headings (H1 → H2 → H3). Skipping (H1 → H3) breaks the sense of hierarchy. Use sequential levels even if you don't like the default styling — restyle with CSS instead. WCAG 1.3.1 (Info and Relationships) treats this as an A failure.
Source: WCAG 2.1 SC 1.3.1 / W3C WAI
DLink & Button QualityAction61 issue(s) across 403 links and 3 buttonsFIX
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|---|---|---|---|
| / | (empty) | empty | Add link text or aria-label |
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| <button> | (empty) | empty | Add button text or aria-label |
Links without text are announced as raw URLs by screen readers.
/; /; /2026/04/22/the-photography-show-aipad-fair-45th-edition-preview; /2026/04/22/claude-lalanne-mirrors-shatter-records-sothebys-auction-new-york; /2026/04/22/antony-gormley-sculpture-quietly-removed-and-sold-off-by-uk-council; /2026/04/22/gallery-climate-coalition-launching-consultancy-casi; /2026/04/21/teotihuacan-site-mass-shooting; /2026/04/16/sea-change-inside-lacmas-new-curatorial-strategy; /2026/04/20/lacma-collection-building-history; /2026/04/15/los-angeles-county-museum-of-art-new-david-geffen-galleries-refra… (+50 more)
Links with no accessible text (empty <a></a>, image-only no alt, icon-only no aria-label) are unidentifiable to screen readers.
Source: WCAG 2.1 SC 2.4.4
Add '(opens in new tab)' to link text or aria-label.
https://reader.directreader.it/read/prj_5989d44fa56cf?token=eyJ0eXAiOiJKV1QiL…; https://www.theartnewspaper.com/newsletter-subscription; https://reader.directreader.it/read/prj_5989d44fa56cf?token=eyJ0eXAiOiJKV1QiL…; https://www.theartnewspaper.com/newsletter-subscription; https://www.theartnewspaper.com/newsletter-subscription; https://instagram.com/theartnewspaper.official; https://bsky.app/profile/theartnewspaper.bsky.social; https://www.linkedin.com/company/the-art-newspaper; https://facebook.com/theartnewspaper; https://www.tiktok.com/@theartnewspaper (+1 more)
Links with target="_blank" without rel="noopener" leak the originating page's window context — security and UX issue.
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Without rel="noopener", the new tab can navigate the original tab via window.opener (tab-nabbing attack). Modern browsers default to noopener for target=_blank but only since recent versions. Always set rel="noopener noreferrer" explicitly.
Source: MDN target / OWASP
Icon-only buttons need an aria-label so screen readers can announce them.
button.text-white (#164 on page)
Buttons with no accessible text (icon-only, no aria-label) can't be activated by voice control or understood by screen readers.
Source: WCAG 2.1 SC 4.1.2
DWeb ManifestActionNot foundFIX
No web manifest found.
DDark Mode SupportActionNo dark mode signalsFIX
Detection limited to meta tags and inline styles.
DPrint StylesheetActionNo print stylesFIX
BLandmark Structure3 landmarksREVIEW
Add a skip link as the first focusable element so keyboard users can bypass repeated navigation.
Without a skip-nav link, keyboard users tab through every nav item before reaching content — every page, every visit.
Learn more ▾ ▴
WCAG 2.4.1 (Bypass Blocks) requires a mechanism to skip past repeated content. The standard implementation is a 'Skip to main content' link that's the first focusable element, visually hidden until focused. Three lines of HTML + four of CSS.
Source: WCAG 2.1 SC 2.4.1
CFavicon & BrandingAction11 icon(s) detectedREVIEW
BColor Contrast (Screenshot)20 text elements analyzed, 0 fail WCAG AAREVIEW
Analyzes text contrast against the actual rendered page, including background images, gradients, and overlays that CSS-based tools cannot detect.
Show all checked elements (20)
| Element | Ratio | Required | FG | BG | Result |
|---|---|---|---|---|---|
| h2 Latest | 19.75:1 | 3.0:1 | #000000 | #FAF8F0 | Pass |
| h2 Los Angeles County M… | 19.75:1 | 3.0:1 | #000000 | #FAF8F0 | Pass |
| h2 Art market | 19.75:1 | 3.0:1 | #000000 | #FAF8F0 | Pass |
| h2 Museums & Heritage | 19.75:1 | 3.0:1 | #000000 | #FAF8F0 | Pass |
| h2 Exhibitions | 19.75:1 | 3.0:1 | #000000 | #FAF8F0 | Pass |
| h2 The Art of Luxury | 19.75:1 | 3.0:1 | #000000 | #FAF8F0 | Pass |
| h2 Visitor Figures 2025 | 19.75:1 | 3.0:1 | #000000 | #FAF8F0 | Pass |
| h2 The Week in Art | 19.75:1 | 3.0:1 | #000000 | #FAF8F0 | Pass |
| h2 A brush with... podc… | 19.75:1 | 3.0:1 | #000000 | #FAF8F0 | Pass |
| h2 Opinion | 19.75:1 | 3.0:1 | #000000 | #FAF8F0 | Pass |
| h2 Obituaries | 19.75:1 | 3.0:1 | #000000 | #FAF8F0 | Pass |
| h2 Books | 19.75:1 | 3.0:1 | #000000 | #FAF8F0 | Pass |
| h2 Adventures with Van … | 19.75:1 | 3.0:1 | #000000 | #FAF8F0 | Pass |
| h2 Diary | 19.75:1 | 3.0:1 | #000000 | #FAF8F0 | Pass |
| title The Art Newspaper - … | 5.91:1 | 4.5:1 | #000000 | #888886 | Pass |
| span Search | 5.91:1 | 4.5:1 | #000000 | #888886 | Pass |
| span Digital Editions | 5.91:1 | 4.5:1 | #000000 | #888886 | Pass |
| span Newsletters | 5.91:1 | 4.5:1 | #000000 | #888886 | Pass |
| span Subscribe | 5.91:1 | 4.5:1 | #000000 | #888886 | Pass |
| span Digital Editions | 5.91:1 | 4.5:1 | #000000 | #888886 | Pass |
Methodology: The top 20 text elements by font size were checked. Background color was sampled from the desktop screenshot using a 5-point pattern. WCAG 2.1 AA requires 4.5:1 for normal text and 3:1 for large text.
A+Alt Text QualityAll 59 images OKPASS
AForm Accessibility1 of 1 controls have issuesPASS
| Control | Type | Label | Method |
|---|---|---|---|
| input | search | (Search for articles and topics) | placeholder only |
Placeholder text disappears on focus and is not a reliable label.
<input type="search">
Placeholder-only labels disappear when the user starts typing — they must remember what the field was for.
Learn more ▾ ▴
Placeholders are NOT labels. They vanish on input, fail color contrast checks (most are gray), and don't satisfy WCAG SC 3.3.2. Always use a real <label> alongside (or aria-labelledby).
Source: WCAG 2.1 SC 3.3.2 / Nielsen Norman
A404 Error PageHTTP 404, custom pagePASS
A+Lighthouse Accessibility AuditsScore 95/100 — 2 failing, 26 passedPASS
Accessibility
These checks highlight opportunities to improve the accessibility of your web app. Automatic detection can only detect a subset of issues and does not guarantee the accessibility of your web app, so manual testing is also encouraged.
Navigation
Properly ordered headings that do not skip levels convey the semantic structure of the page, making it easier to navigate and understand when using assistive technologies. Learn more about heading order.
Performance issues directly impact user engagement and conversion rates.
| Failing Elements |
|---|
The Photography Show fair’s 45th edition explores medium’s full history from it… div.mb-3xl > div.relative > a.block > h4.w-full |
Sea change: inside LACMA’s new curatorial strategy div.mb-3xl > div.relative > a.block > h4.w-full |
Gulf art market feels the force of Middle East conflict div.mb-3xl > div.relative > a.block > h4.w-full |
US National Gallery of Art gifted more than 1,200 Mitch Epstein photographs div.mb-3xl > div.relative > a.block > h4.w-full |
British Art Show—exhibiting UK's 'most exciting' art in past five years—announc… div.mb-3xl > div.relative > a.block > h4.w-full |
What is a botanical curator? Rahel Kesselring takes on inaugural role at Fondat… div.mb-3xl > div.relative > a.block > h4.w-full |
Exclusive | The world's 100 most visited art museums in 2025: new venues a big … div.mb-3xl > div.relative > a.block > h4.w-full |
Museum openings: V&A East and Los Angeles County Museum of Art. Plus, William B… div.mb-3xl > div.relative > a.block > h4.w-full |
A brush with... Sanya Kantarovsky—podcast div.mb-3xl > div.relative > a.block > h4.w-full |
Comment | Catherine Opie shows us that in dark times, looking for joy can be ra… div.mb-3xl > div.relative > a.block > h4.w-full |
Obituary | Umberto Allemandi, visionary publisher who founded 'Il Giornale dell… div.mb-3xl > div.relative > a.block > h4.w-full |
New biography of Chaïm Soutine pieces together illusive artist's life and works div.mb-3xl > div.relative > a.block > h4.w-full |
Zurich’s controversial Bührle Collection is rehung, including five paintings by… div.mb-3xl > div.relative > a.block > h4.w-full |
Stealing the show: Mona Lisa heist inspires Andrew Lloyd Webber musical div.mb-3xl > div.relative > a.block > h4.w-full |
These are opportunities to improve keyboard navigation in your application.
Names and labels
Link text (and alternate text for images, when used as links) that is discernible, unique, and focusable improves the navigation experience for screen reader users. Learn how to make links accessible.
Performance issues directly impact user engagement and conversion rates.
| Failing Elements |
|---|
header.container > div.relative > div.relative > a.w-full header.container > div.relative > div.relative > a.w-full |
div.flex > div.w-col-1 > div.h-6 > a div.flex > div.w-col-1 > div.h-6 > a |
div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer |
div.relative > div.relative > div.xs:max-w-col-1 > a.cursor-pointer div.relative > div.relative > div.xs:max-w-col-1 > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer |
div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer |
div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer |
div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer div.mb-3xl > div.relative > div.mb-md > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
div.relative > div.relative > div.w-full > a.cursor-pointer div.relative > div.relative > div.w-full > a.cursor-pointer |
footer.text-red-1 > div.container > div.mt-4xl > a footer.text-red-1 > div.container > div.mt-4xl > a |
These are opportunities to improve the semantics of the controls in your application. This may enhance the experience for users of assistive technology, like a screen reader.